Individual Chapters (PDF)
| Sound Archaeology and the Soundscape |
| Rupert Till | Abstract |
| Ears to the Ground: On Cajsa Lund’s Legacy and Moving Movements |
| Frances Gill | Abstract |
| The Rommelpot of the Netherlands as a Case Study in Cajsa Lund’s Probability Groups |
| Annemies Tamboer | Abstract |
| The Mammoth in the Room: Did Musical Necessity Drive Innovation in Ancient Technology? |
| Graeme Lawson | Abstract |
| The Birth of European Music from the Spirit of the Lyre |
| Stefan Hagel | Abstract |
| The North Germanic Lyre and the Baltic Psaltery: A Neurological Explanation for their Different Tunings |
| Timo Leisiö | Abstract |
| A Handful of String Instrument Finds from Medieval Sigtuna, Sweden |
| Anders Söderberg | Abstract |
| Music Archaeology in Wolin, Poland: A Thirteenth Century Possible Fiddle, Citole or Nyckelharpa |
| Dorota Popławska, Andrzej Janowski and Stanisław Mazurek | Abstract |
| TRB Drums and Rituals of Transformation |
| Simon Wyatt | Abstract |
| Missing Membranophones? Traditional Drumbeaters in Northern Eurasia and Possible Prehistoric Parallels in European Archaeological Collections |
| Raquel Jiménez Pasalodos and Riitta Rainio | Abstract |
| Beyond the Carnyx: Recent Developments in Scottish Music Archaeology |
| John Purser | Abstract |
| Ornamental and Structural Details on the Surface of the Bronze Age Lurs |
| Joachim Schween | Abstract |
| In the Mind of a Music Archaeologist |
| Cajsa S. Lund | Abstract |