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Flower World – Mundo Florido, vol. 6
| Situating Inca Sonics: Experimental Music Archaeology at Huánuco Pampa, Peru |
| Miriam A. Kolar | Abstract |
| Variaciones en las representaciones iconográficas de músicos en la costa norte del Perú precolombino: Una discusión sobre roles sociales y prácticas rituales desde una perspectiva diacrónica |
| Daniela La Chioma y Marcio Figueiredo | Abstract |
| Aliento ístmico: Artefactos sonoros de la Costa Rica precolombina en las colecciones museales bruselenses |
| Jean-François Brohée | Abstract |
| A Somber Song: Music and Violence in Ancient Mesoamerica |
| Jared Katz and Travis W. Stanton | Abstract |
| The Materiality of Music: A Technological and Functional Study of Two Mesoamerican Omichicahuaztli |
| Valeria Bellomia and Ivana Fiore | Abstract |
| A Survey and Analysis of Sound-Making Artifacts from Bluff Shelter Sites in the Ozark Plateau Region of the Central United States |
| James A. Rees, Jr. | Abstract |
Flower World – Mundo Florido, vol. 5
| Indicadores de la prehistoria musical del norte de Chile: Las Flautas de Pan del sitio arqueológico Azapa-6, valle de Azapa |
| Andro Schampke C. | Abstract |
| An Early Colonial Testimony of Musical Change and Continuity in the Guatemalan Highlands |
| Matthias Stöckli | Abstract |
| Sounds and Sights: Sweeping the Way at Bonampak |
| Mary Miller | Abstract |
| Los artefactos sonoros de Xochicalco |
| Arnd Adje Both e Ivonne Giles | Abstract |
| Ceramic Vessel Rattles from Tala and Teuchitlan, Jalisco, West Mexico |
| Kong F. Cheong, Mads S. Jorgensen, and Roger Blench | Abstract |
| The Native American Flute Tradition in the Southern Plains, Focusing on the Kiowa and Comanche Tribes |
| Paula J. Conlon | Abstract |
The Study of the Ancient and Medieval Harp: A Bibliography of Books and Articles from 1800-2015
Flower World – Mundo Florido, vol. 4
| What Do Moche Whistles Want? |
| Dianne Scullin | Abstract |
| Tara: La estética del sonido pulsante – Una síntesis |
| Arnaud Gérard A. | Abstract |
| Signifying Instruments: Reflections on the Magic of the Ethnographer’s Sound Recordings |
| Jonathan D. Hill | Abstract |
| A Case Study of Maya Avian Ocarinas from Pook’s Hill, Belize |
| Kristina Nielsen and Christophe Helmke | Abstract |
| Ti qui to co: The Combinations of Syllables in the Cantares Mexicanos – A Comparison of Sound Reconstructions |
| Matthias Lewy | Abstract |
| The World in Actions: Ritual Knowledge and Spatial Conceptions Among the Náayeri from Western Mexico |
| Margarita Valdovinos | Abstract |
| Post-Contact Trade Bells Among the Indians of the Southeastern United States |
| John M. Connaway | Abstract |
Music Archaeological Bulletin, 1984-1986
Archaeologia Musicalis, 1987-1990
Flower World – Mundo Florido, vol. 3
| Answering Herzog (1935): An Historical Model for North American Indian Music |
| Richard Keeling | Abstract |
| Turtles, Faces, and Cups: Extending the Inventory of Possible Rattling Soundmakers Depicted in the Spiro Shell Engravings |
| James A. Rees, Jr. | Abstract |
| Music of the Center Place: The Instruments of Chaco Canyon |
| Emily J. Brown | Abstract |
| The Quadruple Flutes of Teotihuacan Resurfaced |
| Dorothee Judith Arndt | Abstract |
| Ancient Maya Musical Encore: Analysis of Ceramic Musical Instruments from Pacbitun, Belize and the Maya Subarea |
| Kong F. Cheong, Roger Blench, Paul F. Healy, and Terry G. Powis | Abstract |
| El quego xilla en la antigua Oaxaca: Una aproximación a los idiófonos de ludimiento |
| Gonzalo Sánchez Santiago y Ricardo Higelin Ponce de León | Abstract |
| Arqueomusicología de las trompetas de caracol andinas de concha y cerámica: Distribución, organología y acústica |
| Alexander Herrera, Juan Pablo Espitia Hurtado, Jorge Gregorio García Moncada y Alejandro Morris | Abstract |
| Beyond Music: Non-Musical Uses of Music Instruments in Paracas and Nasca Iconography |
| Christiane Clados | Abstract |
Music & Ritual:
Bridging Material & Living Cultures
| The Round-Bodied Lute (Ruan) and the Ideal of the ‘Cultivated Gentleman’ in Fourth- to Eighth-Century Chinese Funerary Arts: A Preliminary Study |
| Ingrid Furniss | Abstract |
| Divinized Instruments and Divine Communication in Mesopotamia |
| John C. Franklin | Abstract |
| Sounds for Gods, Sounds for Humans: Triton Shell Horns in Phoenician and Punic Contexts from the Western Mediterranean |
| Antonio M. Sáez Romero and José M. Gutiérrez López | Abstract |
| Music and Death: Razors, Stelae and Divinities in the Punic Mediterranean |
| Agnès Garcia-Ventura and Mireia López-Bertran | Abstract |
| Paestum: Ritual Music in Honour of the Dead |
| Daniela Castaldo | Abstract |
| The Archaeoacoustics of a Sixth-Century Christian Structure: San Vitale, Ravenna |
| David J. Knight | Abstract |
| Acoustics, Architecture, and Instruments in Ancient Chavín de Huántar, Perú: An Integrative, Anthropological Approach to Archaeoacoustics and Music Archaeology |
| Miriam A. Kolar | Abstract |
| The Flight of the Sorcerers: Sound, Power and Hallucinogens in Wari Expansion Strategies during the Middle Horizon, Peru (ca. AD 500-900) |
| Mónica Gudemos | Abstract |
| Membrane Drums as Cosmic Symbols and Shamanic Portals in the Shell Art of Spiro, a Mississippian Mound Site in Oklahoma |
| James A. Rees, Jr. | Abstract |
| Ethnoarchaeomusicology: Social Reproduction, Music (Sound Production) and Ideology in the Rituals of Alutiiq and Yup’ik Societies |
| Jesús Salius Gumà | Abstract |
| Sound and Ritual in Levantine Art: A Preliminary Study |
| Margarita Díaz-Andreu and Carlos García Benito | Abstract |
| Vaccean Rattles: Toys or Magic Protectors? |
| Carlos Sanz Mínguez, Fernando Romero Carnicero, Roberto De Pablo Martínez, and Cristina Górriz Gañán | Abstract |
| The Ritual Significance of the Scandinavian Bronze Age Lurs: An Examination Based on Ethnographic Analogies |
| Gjermund Kolltveit | Abstract |
| A Shaman Drum Hammer from the Medieval City of Turku, Finland |
| Riitta Rainio | Abstract |
| Representations of Dance on Late-Medieval Bosnian Gravestones |
| Zdravko Blažeković | Abstract |
| Ritual and Symbolic Aspects of the Midwinter Horn in the Netherlands |
| Annemies Tamboer | Abstract |
| The Return of Ritual: Sacred Popular Music Cultures and Cults |
| Rupert Till | Abstract |
Carl Engel: The Music of the Most Ancient Nations
(Commented Reprint)
| Carl Engel 1818-1882: Music’s Archaeologist in Victorian London | A Timeline |
| Graeme Lawson |
| Carl Engel and the non-Darwinian Revolution |
| Bennett Zon |
| Carl Engel’s Views on the Music of Ancient Assyria |
| Sam Mirelman |
| Carl Engel and the Earliest Research into Ancient Egyptian Music – Carl Engel et les premières recherches menées sur la musique égyptienne ancienne |
| Sibylle Emerit |
| Carl Engel’s Perspectives of the Hebrews and their Music |
| Theodore W. Burgh |