| Carl Engel 1818-1882: Music’s Archaeologist in Victorian London | A Timeline |
| Graeme Lawson |
| Carl Engel and the non-Darwinian Revolution |
| Bennett Zon |
| Carl Engel’s Views on the Music of Ancient Assyria |
| Sam Mirelman |
| Carl Engel and the Earliest Research into Ancient Egyptian Music – Carl Engel et les premières recherches menées sur la musique égyptienne ancienne |
| Sibylle Emerit |
| Carl Engel’s Perspectives of the Hebrews and their Music |
| Theodore W. Burgh |
| The Bullroarer: A Global and Timeless Sound Instrument |
| Cajsa S. Lund | Abstract |
| Prehistoric Triton Shell Horns in Europe |
| Francesco Marano | Abstract |
| Ceramic Aachen Horns: Sounding Witnesses of Pilgrim’s Travels in the Middle Ages and the Early Modern Period in Europe |
| Annemies Tamboer | Abstract |
| Bone Pipes in the Archaeological Record of Estonia |
| Madli Oras | Abstract |
| A Singing Bone from the Convent Quarter of Medieval Turku, Finland: Swedish or German Import, Baltic Influence or Variation on a Finnish Theme? |
| Annemies Tamboer / Riitta Rainio | Abstract |
| Picenian Pendants as Possible Sound-Tools: Towards a Pre-Roman Italic Soundscape |
| Mirco Mungari | Abstract |
| The Sound Fabric: Towards the Sonification of Landscape Archaeology |
| Jon Hughes / Ben Elliott / Mark Edmonds | Abstract |
| Mythical Archetypes of Itinerant Musicians |
| Eleonora Rocconi | Abstract |
| Alexander the Great’s Travels and Musical Encounters |
| Donatella Restani | Abstract |
| The Music of the Conquered: Iconographies and Archaeological Findings from the Time of Alexander the Great |
| Daniela Castaldo | Abstract |
| Sounds from Under the Shifting Sands: Reflections on Kuchean Music Culture of the Sixth and Seventh Centuries |
| Gabriela Currie | Abstract |
| A Study of the Music and Dance Images in the Hinayana Buddhist Mural Paintings of the Dai People in Yunnan, China |
| Wang Ling | Abstract |
| ‘Listen To My Drum’: The Musical and Socio-Cultural Importance of Torres Strait Islander Warup/Buruburu Drums in Australia |
| Karl Neuenfeldt | Abstract |
| Interpreting Authenticity, Asserting Authority: The Transmission of Piobaireachd in New Zealand |
| Daniel Milosavljevic | Abstract |
| Staging Sound: Acoustic Reflections on Inca Music, Architecture and Performance Spaces |
| Henry Stobart | Abstract |
| Unveiling the Secrets of Ancient Nasca Whistles |
| Anna Gruszczyńska-Ziółkowska | Abstract |
| El Señor de las Antaras: Música y fertilidad en la iconografía nasca |
| Daniela La Chioma Silvestre Villalva | Resumen |
| The Death of the mojas: Human Sacrifices, Song and Ritual in the Nuevo Reino de Granada (Central Colombia), 1563 |
| Egberto Bermúdez | Abstract |
| Winds of Change: Ceramic Musical Instruments from Greater Nicoya |
| Carrie L. Dennett and Katrina C. Kosyk | Abstract |
| Las flautas poli-globulares de Mesoamérica |
| Vanessa Rodens, Arnd Adje Both y Gonzalo Sánchez Santiago | Resumen |
| The Voladores Dance: Traces of the Past for the Interpretation of the Present |
| Grazia Tuzi | Abstract |
| Origin and Meaning of the Hopewell Panpipe |
| Mark Howell | Abstract |
| Sound Archaeology and the Soundscape |
| Rupert Till | Abstract |
| Ears to the Ground: On Cajsa Lund’s Legacy and Moving Movements |
| Frances Gill | Abstract |
| The Rommelpot of the Netherlands as a Case Study in Cajsa Lund’s Probability Groups |
| Annemies Tamboer | Abstract |
| The Mammoth in the Room: Did Musical Necessity Drive Innovation in Ancient Technology? |
| Graeme Lawson | Abstract |
| The Birth of European Music from the Spirit of the Lyre |
| Stefan Hagel | Abstract |
| The North Germanic Lyre and the Baltic Psaltery: A Neurological Explanation for their Different Tunings |
| Timo Leisiö | Abstract |
| A Handful of String Instrument Finds from Medieval Sigtuna, Sweden |
| Anders Söderberg | Abstract |
| Music Archaeology in Wolin, Poland: A Thirteenth Century Possible Fiddle, Citole or Nyckelharpa |
| Dorota Popławska, Andrzej Janowski and Stanisław Mazurek | Abstract |
| TRB Drums and Rituals of Transformation |
| Simon Wyatt | Abstract |
| Missing Membranophones? Traditional Drumbeaters in Northern Eurasia and Possible Prehistoric Parallels in European Archaeological Collections |
| Raquel Jiménez Pasalodos and Riitta Rainio | Abstract |
| Beyond the Carnyx: Recent Developments in Scottish Music Archaeology |
| John Purser | Abstract |
| Ornamental and Structural Details on the Surface of the Bronze Age Lurs |
| Joachim Schween | Abstract |
| In the Mind of a Music Archaeologist |
| Cajsa S. Lund | Abstract |
| Ancient Pututus Contextualized: Integrative Archaeoacoustics at Chavín de Huántar, Peru |
| Miriam A. Kolar, with John W. Rick, Perry R. Cook, and Jonathan S. Abel | Abstract |
| DOI 10.7418/2196-0631.111 |
| Inca Songwork, 1525 |
| Gary Tomlinson | Abstract |
| DOI 10.7418/2196-0631.112 |
| Los aerófonos de barro del Valle de Sula, Honduras |
| Teresa M. Campos, ilustraciones de David Banegas | Resumen |
| DOI 10.7418/2196-0631.113 |
| Ritual Dance and Music in Ancient Maya Society |
| Matthew Looper | Abstract |
| DOI 10.7418/2196-0631.114 |
| Sonidos en piedra: El canto, la música y el baile en el Monumento 21 de Bilbao, Cotzumalguapa, Guatemala |
| Oswaldo Chinchilla Mazariegos | Resumen |
| DOI 10.7418/2196-0631.115 |
| Tunk’ul: Análisis de un instrumento musical maya en contextos rituales durante la Colonia |
| Juan Carrillo González | Resumen |
| DOI 10.7418/2196-0631.116 |
| Cantos de Venado: New Insights into Mexican Indigenous Performance and Composition Practices |
| Helena Simonett | Abstract |
| DOI 10.7418/2196-0631.117 |
| An Organology of the Americas as Painted by John White and Other Artists |
| Mark Howell | Abstract |
| DOI 10.7418/2196-0631.118 |