Individual Chapters (PDF)
| The Bullroarer: A Global and Timeless Sound Instrument |
| Cajsa S. Lund | Abstract |
| Prehistoric Triton Shell Horns in Europe |
| Francesco Marano | Abstract |
| Ceramic Aachen Horns: Sounding Witnesses of Pilgrim’s Travels in the Middle Ages and the Early Modern Period in Europe |
| Annemies Tamboer | Abstract |
| Bone Pipes in the Archaeological Record of Estonia |
| Madli Oras | Abstract |
| A Singing Bone from the Convent Quarter of Medieval Turku, Finland: Swedish or German Import, Baltic Influence or Variation on a Finnish Theme? |
| Annemies Tamboer / Riitta Rainio | Abstract |
| Picenian Pendants as Possible Sound-Tools: Towards a Pre-Roman Italic Soundscape |
| Mirco Mungari | Abstract |
| The Sound Fabric: Towards the Sonification of Landscape Archaeology |
| Jon Hughes / Ben Elliott / Mark Edmonds | Abstract |
| Mythical Archetypes of Itinerant Musicians |
| Eleonora Rocconi | Abstract |
| Alexander the Great’s Travels and Musical Encounters |
| Donatella Restani | Abstract |
| The Music of the Conquered: Iconographies and Archaeological Findings from the Time of Alexander the Great |
| Daniela Castaldo | Abstract |
| Sounds from Under the Shifting Sands: Reflections on Kuchean Music Culture of the Sixth and Seventh Centuries |
| Gabriela Currie | Abstract |
| A Study of the Music and Dance Images in the Hinayana Buddhist Mural Paintings of the Dai People in Yunnan, China |
| Wang Ling | Abstract |
| ‘Listen To My Drum’: The Musical and Socio-Cultural Importance of Torres Strait Islander Warup/Buruburu Drums in Australia |
| Karl Neuenfeldt | Abstract |
| Interpreting Authenticity, Asserting Authority: The Transmission of Piobaireachd in New Zealand |
| Daniel Milosavljevic | Abstract |