Individual Chapters (PDF)
The Bullroarer: A Global and Timeless Sound Instrument |
Cajsa S. Lund | Abstract |
Prehistoric Triton Shell Horns in Europe |
Francesco Marano | Abstract |
Ceramic Aachen Horns: Sounding Witnesses of Pilgrim’s Travels in the Middle Ages and the Early Modern Period in Europe |
Annemies Tamboer | Abstract |
Bone Pipes in the Archaeological Record of Estonia |
Madli Oras | Abstract |
A Singing Bone from the Convent Quarter of Medieval Turku, Finland: Swedish or German Import, Baltic Influence or Variation on a Finnish Theme? |
Annemies Tamboer / Riitta Rainio | Abstract |
Picenian Pendants as Possible Sound-Tools: Towards a Pre-Roman Italic Soundscape |
Mirco Mungari | Abstract |
The Sound Fabric: Towards the Sonification of Landscape Archaeology |
Jon Hughes / Ben Elliott / Mark Edmonds | Abstract |
Mythical Archetypes of Itinerant Musicians |
Eleonora Rocconi | Abstract |
Alexander the Great’s Travels and Musical Encounters |
Donatella Restani | Abstract |
The Music of the Conquered: Iconographies and Archaeological Findings from the Time of Alexander the Great |
Daniela Castaldo | Abstract |
Sounds from Under the Shifting Sands: Reflections on Kuchean Music Culture of the Sixth and Seventh Centuries |
Gabriela Currie | Abstract |
A Study of the Music and Dance Images in the Hinayana Buddhist Mural Paintings of the Dai People in Yunnan, China |
Wang Ling | Abstract |
‘Listen To My Drum’: The Musical and Socio-Cultural Importance of Torres Strait Islander Warup/Buruburu Drums in Australia |
Karl Neuenfeldt | Abstract |
Interpreting Authenticity, Asserting Authority: The Transmission of Piobaireachd in New Zealand |
Daniel Milosavljevic | Abstract |